The new Viennese label proves that eyewear does not need to shout to deserve space on the shelf.
When a new eyewear brand enters the market and is genuinely embraced by optical stores, pay attention. It does not happen often.

Shelf space is fiercely contested. Brands, through their agents, can spend as much energy elbowing one another out as they do building something worth seeing. Meanwhile, many opticians retreat to the safety of the same 10 or 15 names, creating stores that look less like carefully curated portfolios and more like copies of one another.
That is precisely why Curated Optics exists: to challenge the predictable assortment, bring deserving new names into your field of vision and encourage opticians to build an identity of their own.

And when a newcomer arrives with almost four decades of industry experience, translated into an incredibly assured aesthetic language, its place here becomes obvious.
Meet +43 BADER.

Founded by master optician and eyewear designer Harry Bader, +43 BADER is Vienna’s first independent eyewear brand since 1973. This is not an outsider attempting to decode the optical industry from a moodboard. Bader understands the product from the inside: fit, construction, proportion and the intimate relationship between a frame and the person wearing it. His experience includes five years as a designer at Robert La Roche, part of an international career that now informs a universe entirely his own.
What makes the debut collection especially compelling is its restraint.

+43 BADER can be placed within the territory of classic, clean eyewear, but “simple” should never be confused with generic. These frames carry a subtle sculptural tension, balancing eyewear heritage with a distinctly contemporary Viennese sensibility. They are not designed to win the five-second attention contest. They are designed to remain relevant after the noise has disappeared.

The first collection introduces 13 gender-neutral models in five colourways: Black, Navy, Brown, Dusty Rose and Crystal Grey. Instead of conventional model numbers, the frames are named after fragments of time: 9 A.M., Late Lunch, March 3rd, Last Wednesday, 1992, Running Late. Each sounds like the beginning of a memory, the moment your eyes lit up.

The construction is equally considered. The frames are handcrafted in small batches from high-quality Japanese acetate produced with 78% plant-based cotton fibres. Custom hinges, wire cores, rivets and nose pads are made in Germany and Italy. On transparent temples, the internal wire core remains visible, allowing precision to become part of the design rather than something hidden behind it.

+43 BADER is already present at selected independent opticians across Austria, Germany and Switzerland. That early confidence matters. It proves that stores can embrace something new when novelty is supported by knowledge, product integrity and a coherent point of view.

The eyewear market does not need another frame screaming for attention from across the room. It needs frames that reveal themselves up close, and opticians willing to stop building the same wall with the same logos.
+43 BADER belongs to that quieter, more convincing future.
Photos by Marko Mestrovic and Kurt Bauer